Who’s been sitting in my chair? Just me. Just me.
By 1958 Elaine Stritch had sung a solo in the revue Angel in the Wings, played featured roles in revivals of Pal Joey and On Your Toes, and understudied Ethel Merman in Call Me Madam. Goldilocks was to be her breakout starring role. There were some fun songs and a comic supporting role for Margaret Hamilton, but the book was a third-rate Kiss Me Kate. The show closed in 5 months.
Brooks Atkinson – New York Times - 1958
The book undoes what the actors and collaborating artists accomplish, which is a pity…
Miss Stritch can destroy life throughout the country with the twist she gives to the dialogue. She takes a wicked stance, purses her mouth thoughtfully and waits long enough to devastate the landscape.
Elaine Stritch on the dancing bear: “I think he was more or less the funniest guy I worked with - well, certainly in that show. I didn’t like any of the directors. I didn’t like - what else didn’t I like? The whole production.”
Noel Coward was impressed by her performance and offered her a role in his new musical. More on that tomorrow.