Some musicals eclipse their source material. Others just add songs. The Man Who Came to Dinner remains a delightful comedy while Sherry! is rightfully forgotten. In 2004 an all star cast was assembled for a studio cast album of the score. The problems were laid clear. The three act play was squished awkwardly into two acts and the generic songs never quite fit the characters. The secretary got ingenue ballads (Elizabeth Allen /Bernadette Peters), the diva got the belty numbers (Dolores Gray / Carol Burnett), but poor Sheridan Whiteside (George Sanders / Clive Revill / Nathan Lane) was stuck with dull Henry Higgins patter and a bizarre dream ballet.
A fuzzy recording remains of Dolores Gray belting the title song. Critics agreed she was the best thing in the show but she wasn't onstage long enough to carry the show.
Marc Miller's review of the recording ended with: "The deluxe presentation and drop-dead cast seem a little silly under the circumstances; you can take hamburger, dress it up with spices and fancy cheeses, flip it onto a silver platter and call it steak haché au gorgonzola, but it'll still be hamburger."