Bob Fosse mocks Pippin's rehearsal process in the movie All ThatJazz. The perky composer has written a cheerful show that Fosse’s surrogate keeps twisting with erotic choreography. Pippin is often the least interesting person Pippin. It’s easy for Fosse's style and the flashy supporting roles to overshadow the Everyman plot.
Scott Miller argues that there’s more to Pippin’s story than many realize see: “The show deals with the coming of age, the rites of passage, the lack of role models and guidelines for the young adults of today's society, and the hopelessness that has become more and more prevalent among young people. Because of its 1970's pop style score and a somewhat emasculated licensed version which is very different from the original Broadway production, the show has a reputation for being merely cute and harmlessly naughty; but if done the way director Bob Fosse envisioned it, the show is surreal and disturbing."