Whisper House

Duncan Sheik's 2009 concept album was adapted to the stage in 2010. The Chicago premiere runs through February 15 at Black Button Eyes Productions. An Off Broadway production opens on March 12, 2020. Jarrow and Sheik discuss the musical in an interview here.

Rise

Stop me if you've heard this before. Inspirational teacher puts a hot jock and some minorities in a show where they learn to live and love and... oh you have? Well how about we give half the kids abusive families... and make the teacher a monster? No, not a funny monster. Just extremely unpleasant. Unpleasant enough to inspire hostile reviews and scare audiences away.

Ted Sutherland brings charm to his coming out storyline, though it gets about 5 minutes of screen time per episode. Stephanie Block brings gravitas to the potentially campy role of his loving conservative mother.

The choice of Spring Awakening was an interesting one. It's still considered edgy. Will age give it the same respect that West Side Story, Grease and even Rent have gained from most school boards? Skip to episode 9 and 10 if you want to see the talent young cast performing the songs. Hopefully there will be better shows in their futures.

Spring Awakening

Last month I covered several musicals that centered on youthful rebellions. This week I'll add two more to that list starting with the teen angst rock musical Spring Awakening.

Frank Wedekind's groundbreaking 1906 play follows three teens who suffer the consequences of abstinence only education. Steven Sater's 2006 libretto is faithful to the plot but not the tone. Melchior and Wendla's relationship becomes kinder while Hänschen and Ernt's relationship becomes crueler. Wedekind provides Moritz with a deus ex machina at the end. Sater's Moritz must cope with his grief alone.

Deaf West Theatre's 2014-15 revival cast the show with a mix of deaf and hearing actors. They expanded the adult cast from two to four and emphasized the communication gap between the parents and children.

Composer Duncan Sheik's score is angry and exciting in the first act. Things turn ballad heavy, with one exception, in the gloomier act two. Sheik would return to Broadway that same season with the less successful American Psycho. As a fan of the score I'm hoping another company revives it some day to a more receptive audience.

American Psycho

American Psycho is closing before the summer tourists get a chance to see it. The reviews and think pieces have raised many questions.

Moralistic satire or misogynistic porn? Wildly theatrical or un-adaptable? Does the ending blame Patrick or society? Can the 1980's materialism depicted be applied to America today? Should it have opened off-Broadway? Or with a movie star? Will it have a life in regional theater? Will we get a Broadway cast album?

And finally what does Patrick Bateman want? Sweeney wants revenge. Seymour wants love. J.P. Finch wants a material success. Patrick already "has it all" but feels nothing. Does he want to "feel?"

Clips:
Selling Out
Cards
You Are What You Wear
A Girl Before
Backstage vlogs
London Cast Album at Entertainment Weekly
*** And some fun backstage gossip on Broadway.com. 

Nominated for 2 Tony Awards.