Bloomer Girl and South Pacific

Bloomer Girl. Music by Harold Arlen. Lyrics by E.Y. Harburg. Book by Sig Herzig and Fred Saidy. 1944 Broadway.

South Pacific. Music by Richard Rodgers. Lyrics by Oscar Hammerstein. Book by Oscar Hammerstein and Joshua Logan. 1949 Broadway.

One of these shows is better known than the other but both concern race relations in war time. Both were considered progressive for the 1940's and both feature artists from the original production of Oklahoma!

Finian's Rainbow

Earlier this summer I wrote about Were The World Mine, a musical in which the homophobic jocks are magically transformed from straight to gay. In Finian's Rainbow a spell transforms the racist Senator from white to black. The Senator tries to undo his cruel policies but as a black man his staff will no longer listen to him. The leprechaun has to restore him to white to save the Sharecroppers. Pretty cutting social commentary for 1947.

A white actor put on blackface makeup on Broadway in 1947 and on film in 1968. When the show was revived in 2009 the switch was made with two actors. Critics praised the production but it only ran 15 weeks. 40's satire wasn't commercial in the 00's.

Jamaica

Film star Lena Horne made her Broadway debut in a show that was basically a concert. It didn't start that way. Jamaica was conceived as a vehicle for Calypso singer Harry Belafonte. He would play a Jamaican fisherman resisting the commercialization of the local culture and attempting to keep his NYC loving partner by his side. Some accounts say Belafonte left due to illness. Others say he was unhappy with the material.

Lena Horne had turned down St. Louis Woman in the 40's but agreed to play Jamaica's flighty leading lady. The show shifted focus to her character and the book was cut to ribbons. According to wikipedia she opts to stay in Jamaica after her fisherman beau (now played by Ricardo Montalbán) rescues her brother from a hurricane. Sure. Whatever. It ran a year and a half.

The show is so slight and dated that even Encores won't revive it. Instead they gave Vanessa Williams a handful of Horne's songs in a 2018 revue. Songs like "Push de Button," "Cocoanut Sweet" and "Ain't It The Truth" (cut from Horne's Cabin in the Sky) are worth another listen.

My Fair Lady Clones

How do you write a song for Sherlock Holmes, Mr. Darcy or Vincent Price? Perhaps make them sound like Henry Higgins? My Fair Lady was, and is, an unusual musical despite attempts to clone it. Lerner and Loewe's Camelot and Gigi both used structural pieces of their prior masterpiece to create something new.  Other imitations were less successful.

Baker Street: He has Holmes being pursued by a woman in love with him.... After all, Alan Jay Lerner had Higgins getting quite cozy with Eliza Doolittle at the end of "My Fair Lady..." If you're a strict constructionist of the Holmes canon, you won't like the early crudities of this treatment. ~ Howard Taubman. New York Times. 1965.

Darling of the Day: One way to really appreciate what a flawless musical “My Fair Lady” is, is to experience the ultra-rarely performed imitation of it called “Darling of the Day..." Not helping matters was having hopelessly miscast screen boogeyman Vincent Price attempt a Rex Harrison imitation in the leading role ~ New City Times. 2005.

First Impressions: Although Mr. Burrows is an able man with gags and guffaws, he is not likely to settle comfortably in the smaller compass of a Jane Austen novel. Even if he were, Hermione Gingold would not be the proper lady to keep steady company with him there.... she scampers nibly around the stage like a beldame in a burlesque show ~ Brooks Atkinson. New York Times. 1959

Flahooley Concept Sketch

My first sketch in the Three Panel Musical series.

I knew I'd want three panels, the author credits at the top, and a black and white, cartoony style. Something with enough detail to be amusing, but simple enough to draw on a lunch hour.

Learn more about Flahooley here! Anyone know who's got the producing rights to it these days?