Bring It On: The Musical

Lin-Manuel Miranda: I'm sorry I haven't gotten the chance to see Bombshell but I hear the tourists love it.
Christian Borle: Thanks. I tried to see Bring It On but it closed so fast I didn't get the chance.
~ Smash, episode 2.15

Bring It On: The Musical does not retell the plot of the 2000 film. Instead they mix plot points from the direct-to-DVD sequels with subplots from Hairspray and All About Eve. With 12 principal characters the show could have been a mess. Instead we get a well a perfectly serviceable pop musical. The plot is more teen friendly than Lysistrata Jones. Lysistrata's cheerleaders wanted their peers to learn the importance of competition... and sex. Bring It On’s ruthless cheerleaders need to learn the importance of friendship.The Broadway run was short but the show toured well and was quickly licensed to high schools.

Next to Normal

Yorkey and Kitt’s “Next to Normal” has a fantastic first act. The characters and stakes are quickly established and the plot has several surprises. Act two runs out of steam. The writers seem to shrug their shoulders and say “Sheesh. Doctors. Amirite?” The show went through extensive rewrites and the final version feels like a compromise. Still it’s exciting to see this subject matter treated with a modicum of respect. Diana’s treatment is as complex as her disorder and the limits of America’s mental health care system are laid bare.

I love the big numbers for Natalie and Gabe but wish Diana had a proper 11 o’clock number. Her angrier songs are constantly undercut by her husband’s counter melodies. It speaks to the dynamic of their marriage but denies her a proper "Rose's Turn" moment. The catharsis instead goes to her husband Dan. His (plot spoiling) reprise of I Am the One reduces me to a sobbing puddle every time I hear it.

EDIT: August 28, 2016

Here's a revised version that gets the leading man into the third frame.

More on If/Then

***The following post contains spoilers.***

Revisiting Rent got me thinking about the musical If/Then. The shows shared directors, stars and several plot points, making If/Then a spiritual successor.

As Elizabeth looks back on key moments in her life the show flips between multiple paths she could have taken. Liz pursues Love under red lights while wearing glasses. Beth pursues a Business career under blue lights with no glasses.The songs are stacked in loves favor. Liz only gets half of a song about her job. Still the book tries to remain balanced, suggesting that each path involves some unsatisfying compromise.

Audiences got confused, despite the visual cues. Here I've attempted to chart out Elizabeth's key act one choices.