Showing posts with label Faith Prince. Show all posts
Showing posts with label Faith Prince. Show all posts

Friday, March 3, 2017

Little Me



Patrick Dennis is best remembered for his 1955 novel Auntie Mame: An Irreverent Escapade. Mame could be cruel but she had a big heart. There was no heart to be found in his 1961 novel Little Me: The Intimate Memoirs of that Great Star of Stage, Screen and Television, Belle Poitrine (as told to Patrick Dennis). Belle is ruthless as she sleeps and murders her way to B-movie stardom.

The musical shifted focus to her 7 hapless suitors. All were played by television star Sid Caesar. The show ran 257 performances and received 10 Tony nominations but revivals shutter fast. There’s not much there to work with. If Fosse had collaborated with Kander and Ebb he’d have explored the dark side of Belle’s ambition. Neil Simon’s book isn’t interested in that, or much of anything, beyond broad sketch comedy. Revivals have expanded Belle’s role but rewrites can’t make her sympathetic. The title song, “Little Me,” reminds us that Belle’s greatest love affair is with herself.

Monday, March 21, 2016

A Catered Affair



"She never asked for much/
Because we taught her/
Not to expect to much/
Our only Daughter"

Like Far from Heaven, A Catered Affair takes a film about an unhappy 50's housewife and adapts it into a musical drama. While Cathy's situation goes from sunny to somber, Aggie's starts glum, with her son's funeral, and only improves slightly at the end. Comic relief was supposed to come from Cathy's brother, but Harvey Fierstein beefed up the role for himself making the character as angry and somber as the rest of the family.

"A short (90 minutes) but slow depiction of the family-fracturing pressures of planning an expensive wedding, “A Catered Affair” is so low key that it often seems to sink below stage level." ~ Ben Brantley, New York Times

Wednesday, July 29, 2015

Quick Sketch: Guys and Dolls



Lunch time " work meetings" are cutting into my lunch time art so this will have to be a quick sketch.

Guys and Dolls is regarded by some as a perfect musical. The uneven movie and some poorly received revivals have reminded us that it is not fool proof. You'll notice very little Nathan and Adelaide in the synopsis. They get far too much material to be dismissed as "supporting roles" but Sky and Sarah most definitely carry the plot. 

But then there' s not much plot in act two either. Damon Runyon's original story, The Idyll of Miss Sarah Brown, ended with Sarah rolling the dice for Sky's soul. The dice rolling goes to Sky in the musical leaving Sarah little to do in Act Two but sing "Marry the Man Today." None of this is a negative. It's just interesting to re-examine the "perfect" musical's structure after some time away from it.

Adelaide's Lament remains my favorite showtune and I'll always have a special place in my heart for the 1992 revival cast. 

Monday, November 3, 2014

Bells Are Ringing



A musical comedy about a lovable stalker!

" Writing in The New York Times, Brooks Atkinson called the story “one of the most antiquated plots.”Yet the show ran for 924 performances on the strength of its sui generis star, Judy Holliday, a curvaceous but prurience-proof blonde with a foggy voice and a sunny mien. Comden and Green had performed with Holliday as part of a comic cabaret team, and they tailored the part of Ella the operator, stitch-by-stitch, with their friend in mind." ~ New York Times

Faith Prince had less success in a 2001 revival but Judy Holliday's performance has been captured on film for all to see why this show was a hit.