Showing posts with label Carolee Carmello. Show all posts
Showing posts with label Carolee Carmello. Show all posts

Sunday, October 29, 2017

The Addams Family


So producers ask you to write an Addams Family musical. What story do you tell? The films contrasted the Addam's with "normal" criminals who wanted to harm them. The stage show introduces a fiancee and conservative in-laws. The device has fueled many comedies including You Can't Take It With You, Auntie Mame and La Cage Aux Folles. So that's your spine. But what do you do with the details?

Who are the Addams's? Are they undead? If so are they zombies, ghosts or vampires? Are they just unusually morbid mortals? How much of their BDSM leanings can you mention in a family show? If you put them onstage do you use the personalities from the comics, cartoons, TV sitcom or films?

The stage show went through multiple rewrites before and after the Broadway engagement. The squid was cut for the tour. She certainly isn't in the school version. But the song about squid molestation was in the Chicago tryout and made it to Broadway.

Saturday, September 30, 2017

Hello Again



If La Ronde was a play about class then Hello Again is a musical about loneliness. Both stories feature a daisy chain of hook ups but neither has much to say about sex. In a sense that's the point. The sex in Hello Again is rarely for love or pleasure. It's a tool to gain something from a partner; financial support, a career boost or a sense of feeling "safe."

The scenarios are flexible enough to allow for literal or fantastical staging. The 2017 film version includes a lovely mix of both. The roles are juicy enough to showcase stars or newcomers and the original Off-Broadway cast has gone on to great things. The show was not LaChuisa's first musical but it was definitely the one that put him on the map.

Friday, November 7, 2014

Parade



Alfred Uhry:  When I was a child, when anybody would mention Leo Frank, people of that generation would get up and walk out of the room... Then one time I told the story to Hal Prince, and he said, “My God! That’s the musical theatre piece I’ve been looking to do!”

Parade has an ambitious libretto. It contains pieces of a detective story, a courtroom drama and a romance yet refuses to focus on any one plot strand. By giving every member of the town a chance to weigh in on the court case, even in the scaled down 2007 revisal, Parade presents the mindset of an entire fragmented town that eventually joins together as a mob.