Showing posts with label Carol Channing. Show all posts
Showing posts with label Carol Channing. Show all posts

Thursday, July 19, 2018

Gentlemen Prefer Blondes

Before Dolly Levi, before the White Queen, Carol Channing's signature role was Lorelei Lee. Her rendition of "Diamonds are a Girls Best Friend" is very different than Marilyn Monroe's but no less fantastic.

Saturday, May 27, 2017

Flapper Julie Andrews


The Boy Friend. Music, Lyrics and Book by Sandy Wilson. 1953 West End. 1954 Broadway

Thoroughly Modern Millie. 1967 screenplay by Richard Morris. Original music by Elmer Bernstein.  2002 book by Richard Morris. Original music by Jeanine Tesori. Original lyrics by Dick Scanlan.

The Broadway transfer of The Boyfriend featured the New York debut of Julie Andrews! She would don her flapper dresses again for Millie and make her directing debut with a production of The Boyfriend in 2003. Both stories focus on flappers who enjoy their independence till their poor boyfriends confess they are secretly rich and propose. It's telling that the sequel to The Boyfriend was titled Divorce Me, Darling!

The Boy Friend is a fairly conventional musical that was turned into a strange film.
Millie was a weird film that got turned into a conventional musical. Carol Channing and Beatrice Lillie are doing... something... bizarre that the raise the film to new camp levels. Channing's character was toned down when the show transferred to Broadway but Harriet Harris made Lillie's villain her own crazy (and Tony winning) creation.

Trailer for The Boy Friend on film.
Trailer for Thoroughly Modern Millie on film.
Performance from Thoroughly Modern Millie at the Tony's.

Tuesday, May 23, 2017

Hello, Dolly!

Hello, Dolly! is a big brassy star vehicle with a hit title song. The libretto is based on a play by Thornton Wilder which lifted generously from French and Austrian farces. Though Dolly is a matchmaker the story isn't necessarily a romance.

Dolly, Horace and Irene have each survived a spouse and settled into unfulfilling lives. Dolly decides to let her memories go and "rejoin the human race." She learns to like herself again and teaches the others to do the same.

Check out Richard Skipper's collection of testimonials on the many, many divas who've played Dolly Gallagher Levi.

Wednesday, January 6, 2016

Adapting Alice in Wonderland



Oz books have a quest structure that lends itself to adaptation. Wonderland books do not. Walt Disney managed to give Alice a small arc and some introspective ballads but the film was criticized for a "lack of heart." Recent musical adaptations have taken great liberties to give Alice a goal and an antagonist.

1985's Alice is pursued by a terrifying Godzilla-like Jabberwocky... and meets an equally terrifying Carol Channing.

2011's Wonderland ages Alice up to explore adult neuroses. Why is her inner child represented as a  dominatrix? Well she's got some issues.

2015's wonder.land sets the whole thing in cyberspace as a group of teens use their online avatars to cope with their anxiety's. Some critics found it brilliant while others found it incomprehensible. 

TV, films and video games have since turned Wonderland's characters into figures of fun, action and horror. Who's your favorite Alice?

Thursday, September 4, 2014

Jerry's Big Ladies!



“Mame is also the most basic of sixties titles, in a form invented in this decade, which I call the Big Lady Show. This is a star vehicle that doesn’t wait for you to be enthralled by the star: it vigorously informs you that the star is enthralling - in writing and direction that make her almost absurdly conspicuous." ~ Ethan Mordden.

Mame and Hello Dolly were big successes that featured a wide range of stars, though both suffered from miscast film versions. Dear World's source material defied adaptation to the formula and suffered despite a fantastic lead performance.