New York Times 2007: The long road to Broadway for “Curtains” has been nearly as
fraught as that of “Robbin’ Hood,” the show-within-the-show that keeps losing
cast and crew members to untimely ends during an out-of-town tryout in Boston.
Its original book writer, Peter Stone, died in 2003, and Mr. Ebb, the lyricist,
died in 2004. Enter Rupert Holmes, the writer and composer of the Tony-winning
“Mystery of Edwin Drood,” who is now credited with the script and (along with
Mr. Kander) additional lyrics for “Curtains.”
New York Times 2011: “Curtains” is not A-list Kander and Ebb. These are the men
who wrote “Cabaret” and “Chicago,” after all. Even with its affectionate
parodies of musical theater and its endearing hero, who turns out to be as good
a play doctor as a crime investigator, the show never completely catches fire.
But (Curtains)… is a very pleasant evening of musical theater…. At its core,
“Curtains” is not a detective story. It’s a declaration of love, passionate
love, for the theater.
Here’s the optimistic number they sang on the Tony’s: Show People
And here’s the cynical number they probably should have
sung: It’s a Business
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