The backstage stories are similar too.
Gwen Verdon’s desire to act vs. the producer’s desire for
dancing.
Bob Fosse’s desire for dark eroticism vs. the collaborator’s
desire to lighten up the source material.
New Girl In Town won
Tony’s for Verdon and her co-star, Thelma Ritter, but flopped. Sweet Charity lost Tony’s to Mame and Man of La Mancha but went on to a film and revivals.
It's a shame Verdon didn't get to recreate more of her stage work on film. We're very lucky we got Damn Yankees preserved along with her work on the Ed Sullivan show.
Meanwhile my inspiration at Three Panel Shakespeare has drawn some more musicals of her own including Gwen Verdon's break-out show Can-Can!
Meanwhile my inspiration at Three Panel Shakespeare has drawn some more musicals of her own including Gwen Verdon's break-out show Can-Can!
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