“Sooner or later we’re bound to get it right.”
Stephen Sondheim devoted over a decade to writing a musical
about the Mizner brothers. He’d read their story at age 22 and held onto the
obsession till the rights were available. The piece went through several
collaborators, tones and titles (Wise
Guys, Gold!, Bounce) before settling into Road Show. What was once intended to be a vaudeville tinged musical
comedy became a somber piece and received mixed reviews.
Some critics felt the brothers were underdeveloped and that
Addie’s devotion to Willy remained unexplained. Others saw the characters as
archetypes representing conflicting sides of the American dream. Another group
saw the beleaguered gay artist Addison as a stand in for Stephen Sondheim
battling a lifetime of inner demons.
Will the next revival of Road Show convince critics they
finally “understand it?” Will songs like "The Best Thing That Ever Happened," “Talent” and “Isn’t He Something” get
the same concert and cabaret attention as Sondheim’s other ballads? Will this be Sondheim’s
last musical?
“And doesn't he sparkle?
See how he glides!
Isn't he something!”
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