Showing posts with label Hermione Gingold. Show all posts
Showing posts with label Hermione Gingold. Show all posts
Monday, April 6, 2015
My Fair Lady Clones
How do you write a song for Sherlock Holmes, Mr. Darcy or Vincent Price? Perhaps make them sound like Henry Higgins? My Fair Lady was, and is, an unusual musical despite attempts to clone it. Lerner and Loewe's Camelot and Gigi both used structural pieces of their prior masterpiece to create something new. Other imitations were less successful.
Baker Street: He has Holmes being pursued by a woman in love with him.... After all, Alan Jay Lerner had Higgins getting quite cozy with Eliza Doolittle at the end of "My Fair Lady..." If you're a strict constructionist of the Holmes canon, you won't like the early crudities of this treatment. ~ Howard Taubman. New York Times. 1965.
Darling of the Day: One way to really appreciate what a flawless musical “My Fair Lady” is, is to experience the ultra-rarely performed imitation of it called “Darling of the Day..." Not helping matters was having hopelessly miscast screen boogeyman Vincent Price attempt a Rex Harrison imitation in the leading role ~ New City Times. 2005.
First Impressions: Although Mr. Burrows is an able man with gags and guffaws, he is not likely to settle comfortably in the smaller compass of a Jane Austen novel. Even if he were, Hermione Gingold would not be the proper lady to keep steady company with him there.... she scampers nibly around the stage like a beldame in a burlesque show ~ Brooks Atkinson. New York Times. 1959
Monday, January 5, 2015
A Little Night Music
“A Little Night Music, which opened at the Shubert Theater last night, is heady, civilized, sophisticated and enchanting. It is Dom Perignon. It is supper at Laserre. It is a mixture of Cole Porter, Gustva Mahler, Antony Tudor and just a little of Ingmar Bergman. And it is more fun than any tango in a Parisian suburb… Good God! – an adult musical!” ~ Clive Barnes. New York Times. 1973.
I was introduced to A Little Night Music by the 1977 film. The cast featured three members of the
Broadway company, a game Elizabeth Taylor and a star turn from Diana Rigg. I
loved it and was surprised to learn the film is widely despised by fans of the
show (which is despised in turn by fans of Bergman’s original film). Looking
back on my first visit to the Sweeney
Todd film I can sympathize. Even the popular Into the Woods has caused some to clung to their PBS
DVD’s and weep bitter tears. While the Night
Music film cut the Greek Chorus and a considerable portion of the score it
inspired some lovely new material from Sondheim.
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