Murder Mysteries: Curtains

New York Times 2007: The long road to Broadway for “Curtains” has been nearly as fraught as that of “Robbin’ Hood,” the show-within-the-show that keeps losing cast and crew members to untimely ends during an out-of-town tryout in Boston. Its original book writer, Peter Stone, died in 2003, and Mr. Ebb, the lyricist, died in 2004. Enter Rupert Holmes, the writer and composer of the Tony-winning “Mystery of Edwin Drood,” who is now credited with the script and (along with Mr. Kander) additional lyrics for “Curtains.”

New York Times 2011: “Curtains” is not A-list Kander and Ebb. These are the men who wrote “Cabaret” and “Chicago,” after all. Even with its affectionate parodies of musical theater and its endearing hero, who turns out to be as good a play doctor as a crime investigator, the show never completely catches fire. But (Curtains)… is a very pleasant evening of musical theater…. At its core, “Curtains” is not a detective story. It’s a declaration of love, passionate love, for the theater.

Here’s the optimistic number they sang on the Tony’s: Show People

And here’s the cynical number they probably should have sung: It’s a Business

Steel Pier

In 1997 Kander and Ebb were put in the unusual position of competing with themselves on Broadway. Their sincere new musical Steel Pier was overshadowed by the hit revival of their cynical musical Chicago. 

Karen Ziemba's heroine is a con-artist but she's no Roxie Hart. She's being dragged into crime by her sleazy boyfriend. Her spectral dance partner quickly reforms her, drawing some to compare the book to Touched by an Angel or Quantum Leap. A far cry from the nastiness of the dance marathon film They Shoot Horses, Don't They?

The fun is relegated to a thin subplot with Debra Monk and Kristin Chenoweth as competing divas in the marathon's talent show. The book doesn't give them much but Debra got her signature song, "Everybodies Girl", and Kristin's next show launched her to stardom.