Kiss of the Spider Woman

This show isn't great but at times it's very good. If you're familiar with the novel the very idea of adapting this into a musical sounds silly. To the show's credit it dances the fine line for most of the run time.

The seduction of the straight cell mate is a touchy subject for many. In the book this is an act of vulnerable affection. ("You are the one who is kind.") In the musical it is a cynical manipulation. ("If we touch before he goes he'll make that call.")  Which is more believable? You decide.

The Spider Woman, Aurora, is Molina's muse. Her tunes provide comical commentary on a dark story in a manner similar to the Emcee in Cabaret though her films are much cheerier than the propaganda film in the novel. Two performances were recorded: Chita Rivera's and Vanessa Williams'. I've heard it said that Chita plays a gay man's fantasy and Vanessa plays a straight man's fantasy. Simplistic but funny. Chita brings out the scary gravitas of the character. She's there to kill. Vanessa brings out the sex appeal and the comedy. She's there to party.

Chicago

On April 3, 1924 Beulah May Annan shot her lover. On May 24 a jury declared her “not guilty.” The Chicago Tribune sent a rookie reporter, Maureen Dallas Watkins, to cover the trial. The jury was told that Annan and her lover had “both grabbed for the gun” after he’d threatened to kill her.  Watkins reminded her readers of the many contradictions in Annan’s story.

Watkins left the Tribune soon after and recounted the trial in her first play. Chicago premiered on Broadway in December of 1926. Beulah May Annan was reborn as Roxie Hart. Watkins declined all requests for the musical rights till her death in 1969. Bob Fosse and Gwen Verdon then secured the rights from her estate.

Roxie’s trial is seen through the lens of a vaudeville stage. The libretto makes nods to the likes of Sophie Tucker, Marilyn Miller and Texas Guinan. The Cook County jail is no Palace Theater but Roxie quickly learns that in America anything can become entertainment for the masses.

1976 Tony Awards - Jerry Orbach performs "All I Care About is Love"
1970's Mike Douglas Show - Gwen Verdon and Chita Rivera perform "Nowadays" and the "Hot Honey Rag"
1997 Tony Awards - Bebe Neuwirth and Ann Reinking perform "All That Jazz" and the "Hot Honey Rag"
1998 Kennedy Center Honors - Chita Rivera and Bebe Neuwirth perform "All That Jazz"

Bye Bye Birdie

In 2014 I wrote a post on Bring Back Birdie, the dreadful sequel to Bye Bye Birdie. The sequel had the same writers, star and structure but lightning didn't strike twice.

As I attempted to summarize Bye Bye Birdie I was reminded of what a bizarre show it truly is. The libretto juggles 5 principal characters, 2 key supporting roles, 2 romances and the teens vs. parents conflict. The hip rock star, Conrad Birdie, gets the title but the old-fashioned heart of the story is carried by Rosie and her desire to settle down with Albert.

If Dick Van Dyke wasn't playing him Albert would be a very unpleasant character. That's one reason revivals keep flopping. It was made clear in the sequel when he dumps Rosie for a "newer model." It's better to ignore the sequel and let their story end with Bye Bye Birdie's charming finale.

Tony Awards 2015: The nominees

The 2014 Tony nominees for best musical included two jukebox musicals, a Disney cartoon adaptation, and the well deserved winner A Gentleman's Guide to Love and Murder. I'm pleased to see that three of 2015 Tony nominees possess original scores and the fourth, An American In Paris, is primarily a ballet making it more ambitious than most screen to stage adaptations.

You can take a look at this season's non-nominated musicals here. I've devoted longer posts to Fun Home and The Visit in the past during their pre-Broadway incarnations. Thanks again to Tickle-Brain's Three Panel Shakespeare who's style I pay homage to today (and who is now doing musical recaps of their own).

The Tony Awards will be broadcast this Sunday, June 7, on CBS at 8pm ET / 7pm CT.

The Visit

The macabre and the misty-eyed vie uneasily for supremacy in “The Visit,” a musical adaptation of Friedrich Dürrenmatt’s 1956 tragicomedy about vengeance and venality... Claire is a kind of female Sweeney Todd. Her heart was singed by betrayal in her youth; now she is bent remorselessly on brutal revenge. But as reconceived here, she wavers between sentimental musical interludes and glinty-eyed commitment to retribution. ~  Charles Isherwood, New York Times.

Merlin quick sketch

A closer look at Chita Rivera's winged twin serpent headdress and Douglas Henning's magical mullet in Merlin the Musical.

Merlin

Doug Henning had built a musical around his magic act in 1974 that ran 1,920 performances. He tried again in 1983 with Merlin but lightning didn't strike twice.

Because Mr. Henning, who plays Merlin, cannot act, dance or sing, the authors must write their show around their title character and build it instead on the shoulders of the secondary players. ~ Frank Rich (New York Times)

The supporting roles were played by the talented Nathan Lane, Chita Rivera and Christian Slater. Clips of the opening number and Chita's first song are online but sadly no clips of the song titled "Satan Rules."

Bring Back Birdie

Or just revive him.

Bye Bye Birdie made a lot of money and folks were convinced that a sequel would do the same. Enough time had passed that there was a new generation of pop music to satirize but the show seemed content to simply repeat jokes and plot points from the original. Rose still wants to settle down, Albert still wants to be in showbiz, Mrs. Petersen's racism is still supposedly hilarious, and the new generation of kids are as crazy-mixed-up as the old.

They were awfully luck to have Chita Rivera reprise her role as Rose but she couldn't stop Bring Back Birdie from closing after 4 performances.

Read Frank Rich's review here. "If the first ''Birdie'' was invigorating, the new one is depressing right up until that curtain call...as if everyone involved had abandoned hope."

You'd think that would scare Charles Strouse off of sequels...

The Rink

I told you I liked Chita Rivera flops. And look who joined her here. It's Liza!

The Rink is licensed by Samuel French Inc. Learn more here.

Bajour Concept Sketch

Tried sketching a comic without the dividing frames. Decided I prefer the frames.

The amazing Chita Rivera has had a career full of hits but her flop shows are no less fascinating to theater geeks like me.

Bajour is licensed by Dramatic Publishing Co. Learn more here.